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Unsettling national narratives and multiplying voices

The art museum as renewed space for social advocacy and decolonization - a Canadian case study

Bibliographic Data

ID5718366
AuthorsAnderson (0000-0003-4106-9752), Stephanie Anderson (0000-0002-6305-6592, Pennsylvania Academy of the Fine Arts, corresponding author)
Year2020
Volume35
Issue5
Pages488-531
Publication date2020-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMuseum Management and Curatorship (JOURNAL)
Journal identifiersISSN: 0964-7775 • E-ISSN: 1872-9185
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09647775.2020.1803111
OpenAlexW3100572858
LanguageEN
Citations received3
References cited33

Through their collection and exhibition practices, art museums around the world are active agents in the processes of national memory-making that silence and racialize certain individual and group identities As museums reopen in the wake of Covid19 closures and amid the global protests for social justice and racial equality, there is renewed urgency for institutions to do more than stage dominant narratives of nationhood, identity, and citizenship under the guise of detached commemorative hosts. Using visual art from the National Gallery of Canada’s permanent collection as a case study, this article applies an analytic framework to situate and explore dominant and conflicting constructions of national identity, communicated in a national museum. In doing so, it suggests that national narrative frameworks have much to offer critical approaches in the art museum that support renewed calls from scholars and activists, to upend hierarchies, multiply voices, and become bold new spaces for social advocacy and decolonization

Aesthetics · Art · Citizenship · Decolonization · Exhibition · Literature · Media studies · Narrative · National identity · Political science · Politics · Silence · Sociology · Visual arts · Cultural Heritage Management and Preservation · Gender Studies · Law · Memory, Trauma, and Commemoration · Museums and Cultural Heritage

  • Curating Spaces

    Open Access•Nigel Bond, Madeleine Gifford et al.•Curator The Museum Journal•2026

  • Virtual reality and decolonial practice

    Zhuyun Song, Hong Liu et al.•Museum Management and Curatorship•2025

  • Settler Ignorance and Public Memory

    Open Access•E Nelson, Anne Godlewska•Geographical Review•2023

  • Feminist History in Canada

    Nancy Janovicek, Catherine Carstairs•Feminist History in Canada•2013

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    Open Access•Carol Schick, Verna St Denis•Canadian Journal of Education /…•2005

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    Robert R Janes, Richard Sandell•Museum Activism•2019

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    Eric Hobsbawm, Terence O Ranger•Invention of Tradition•2012

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    Jocelyn Létourneau, Phyllis Aronoff et al.•History for the Future•2004

  • Immigration, Racial and Ethnic Studies in 150 Years of Canada

    Guo, Shibao Guo et al.•Immigration, Racial and Ethnic…•2018

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    Roger I Simon, Roger Simon•Pedagogy of Witnessing•2014

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  • The construction of national identity and the curation of difficult knowledge at the Canadian Museum for Human Rights

    Anderson, Stephanie Anderson•Museum Management and Curatorship•2018

  • Indigenous representation in the 'moral museum

    Beatrice Harris•Museum Management and Curatorship•2018

  • On difficult history displayed

    Brenda Trofanenko, Brenda M Trofanenko•Museum Management and Curatorship•2011

  • A little more courageous

    Anne Mckernan•Museum Management and Curatorship•2020

  • Collective Memory and Narrative Templates

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  • Museums, Decolonization and Indigenous Artists as First Cultural Responders at the new Canadian Museum for Human Rights

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Unique citing works3
Citations per year1
Citation span2023 - 2026 (4)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3
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