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Biblical Symbols in the Works of Rudolf Steiner's Followers

Initiation/Archangel Michael by Amalia Luna Drexler as an Example of an Anthroposophical Interpretation of the Spiritual Mission of the Slavs

Bibliographic Data

ID5725625
AuthorsMonika Rzeczycka (0000-0001-6179-1422, corresponding author)
Year2020
Volume53
Issue1
Pages1-14
Publication date2020-01-01
Open AccessYes
TypeARTICLE
VenueStudia Religiologica (JOURNAL)
Journal identifiersISSN: 0137-2432 • E-ISSN: 2084-4077
PublisherUniwersytet Jagiellonski - Wydawnictwo Uniwersytetu Jagiellonskiego (PUBLISHER)
DOI10.4467/20844077sr.20.001.12504
OpenAlexW3046629328
LanguageEN
Citations received1
References cited1

At the beginning of the 20th century, national mythologies inscribed in the Christian tradition were held in high regard within the milieu of Polish and Russian followers of esotericism. The international anthroposophical movement initiated by the Austrian philosopher Rudolf Steiner is a special case. Among his Russian and Polish devotees sprang the common idea of the Slavic spiritual mission in the service of Archangel Michael. The author of this article explores this idea using the example of a sculpture entitled Initiation/Archangel Michael made in 1927 by the Polish artist Amalia Luna Drexler, who belonged to the group of "first generation"anthroposophists

Art · Art history · Inscribed figure · Interpretation (philosophy) · Literature · Mythology · Central European Literary Studies · Education and Cultural Studies · History · Philosophy · Religious, Philosophical, and Educational Studies

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    Open Access•Monika Rzeczycka, Urszula Patocka-Sigłowy et al.•Studia Religiologica•2024

  • Vor dem Thore

    Julia Mannherz, Helmut Zander•Aries•2008

Citations per year0.5
Citation span2024 - 2024 (1)
Highly citedNo

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