Frank O'Hara rebuilds the Seagram Building
A Radical Poetry of Event
Bibliographic Data
| ID | 5725922 |
|---|---|
| Authors | Keegan Cook Finberg (0000-0003-0971-7991, University of California, Santa Cruz, corresponding author) |
| Year | 2016 |
| Volume | 30 |
| Issue | 1 |
| Pages | 113-142 |
| Publication date | 2016-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Textual Practice (JOURNAL) |
| Journal identifiers | ISSN: 0950-236X • E-ISSN: 1470-1308 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0950236x.2015.1064015 |
| OpenAlex | W972398773 |
| Language | EN |
| Citations received | 1 |
This essay brings together architectural discourse and literary studies to consider alternative possibilities within our understanding of Cold War politics. It examines poems that figure Mies van der Rohe's Seagram Building as important to a radical politics and experimentalism in Frank O'Hara's early poetry. The figured Seagram Building – steeped in architectural modernist ideologies and nationalist corporate interests – works to open the possibility for a new ethics of encounter within midtown New York City. Deriving a connection between O'Hara's 'I do this I do that poems' and the politics of architectural space shows the need for O'Hara's poems to be resituated. They are not poems that chronicle the city, but rather should be read as akin to contemporaneous event scores and happenings. Like Fluxus scores, this poetry problematises the difference between hermeneutics and enactment as it critiques dominant modernist notions of 'reading poetry' in general
Aesthetics · Art · Epistemology · Experimentalism · Hermeneutics · Ideology · Linguistics · Literature · Poetry · Political science · Politics · Art, Politics, and Modernism · Law · Philosophy · Poetry Analysis and Criticism
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |