At each remove the similarity fades a bit more
Queer politics and experimental prose in two generations of New Narrative
Bibliographic Data
| ID | 5725933 |
|---|---|
| Authors | Diarmuid Hester (0000-0001-5477-515X, Emmanuel College, University of Cambridge, Cambridge, UK, corresponding author) |
| Year | 2021 |
| Volume | 35 |
| Issue | 8 |
| Pages | 1273-1290 |
| Publication date | 2021-08-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Textual Practice (JOURNAL) |
| Journal identifiers | ISSN: 0950-236X • E-ISSN: 1470-1308 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0950236x.2021.1953794 |
| OpenAlex | W3178719635 |
| Language | EN |
In the absence of a wide-ranging literary history that would take into account both the initial impetus for New Narrative’s creation and the changes wrought as a younger generation came on the scene, New Narrative can seem rather monolithic as a movement. A newcomer to New Narrative may be left with the false impression that the ideas first proposed by Bruce Boone and Robert Glück remained relatively static over time. This essay attempts to expand the historical frame previously applied to New Narrative. Thinking genealogically about the movement and examining different writers’ approaches to politics especially, it traces the shift from first to second generation, building on previous attempts to narrate New Narrative’s complex story
Aesthetics · Art · Literature · Narrative · Narrative history · Political science · Politics · Queer · Sociology · Computer Science · Folklore, Mythology, and Literature Studies · Gender Studies · Gender, Feminism, and Media · History · Law · Narrative Theory and Analysis
| Highly cited | No |
|---|