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The bodies in the bubble

David Foster Wallace'sThe Pale King

Bibliographic Data

ID5726309
AuthorsRichard Godden (University of California, Irvine, corresponding author), Michael Szalay (0000-0002-6310-0610, University of California, Irvine)
Year2014
Volume28
Issue7
Pages1273-1322
Publication date2014-11-10
Open AccessNo
TypeARTICLE
VenueTextual Practice (JOURNAL)
Journal identifiersISSN: 0950-236X • E-ISSN: 1470-1308
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0950236x.2014.965472
OpenAlexW1982833722
LanguageEN

While predominantly concerned with the transformation of the Internal Revenue Service (IRS) during the 1980s, David Foster Wallace's The Pale King (2011) represents signal contradictions in the nature of money, from 1971 (when Richard Nixon ended the convertibility of the dollar into gold) to the events of the 2008 financial crisis (when derivative trading dominated global financial markets). As unstable admixtures of abstraction and concreteness, Wallace's fictional IRS workers embody the changing nature of these contradictions and the uneasy convergence between corporate and corporeal persons caught within the particular processes of abstraction associated with financialisation

Abstraction · Concreteness · Convertibility · Currency · Economics · Epistemology · Financial crisis · Keynesian economics · Liberian dollar · Macroeconomics · Monetary economics · Neoclassical economics · Openness to experience · Political economy · Sociology · Contemporary Literature and Criticism · Philosophy · Psychology · Finance

Highly citedNo

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