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Acoustic modernism

BBC Radio andThe Little Girls

Bibliographic Data

ID5726324
AuthorsAllan Hepburn (0009-0004-7650-7227, McGill University, corresponding author)
Year2013
Volume27
Issue1
Pages143-162
Publication date2013-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTextual Practice (JOURNAL)
Journal identifiersISSN: 0950-236X • E-ISSN: 1470-1308
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0950236x.2013.752223
OpenAlexW2092912768
LanguageEN
Citations received2

Elizabeth Bowen, at the invitation of BBC Radio producers, broadcast talks, features, and short dramatic pieces from the 1940s through the 1960s. Her broadcasting caused her to rethink the relation of sound to information and meaning. Radio thus had a defining influence on her writing of fiction, especially The Little Girls, which is implicated in a complex sound world. Like other novels published at mid-century, this novel emphasizes the acoustic aspects of modernism, particularly the possibilities of overlapping, repetitive, and misheard sounds. Bowen pays particular attention to dialogue and verbal style, where noise confronts language and sound confronts meaning

Acoustics · Aesthetics · Art · Epistemology · Literature · Radio broadcasting · Telecommunications · Computer Science · Contemporary Literature and Criticism · History · Narrative Theory and Analysis · Nostalgia and Consumer Behavior · Philosophy

  • The Incidence of Aural Incursions in Elizabeth Bowen’s The Last September and Iris Murdoch’s The Red and the Green

    Arka Basu, Farah Nada•English Studies•2022

  • Radio’s Vernacular Modernism

    Kate Lacey•Media History•2018

Unique citing works2
Citations per year0,25
Citation span2018 - 2022 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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