Machine, Montage, and Myth
Experimental Cinemaand Politics of American Modernism during the Great Depression
Bibliographic Data
| ID | 5726528 |
|---|---|
| Authors | Barnaby Haran (0000-0003-1634-2171, corresponding author) |
| Year | 2011 |
| Volume | 25 |
| Issue | 3 |
| Pages | 563-584 |
| Publication date | 2011-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Textual Practice (JOURNAL) |
| Journal identifiers | ISSN: 0950-236X • E-ISSN: 1470-1308 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0950236x.2011.569177 |
| OpenAlex | W2077348161 |
| Language | EN |
This article looks at the film journal Experimental Cinema in relation to the radical Workers Film and Photo League
Aesthetics · Archaeology · Art · Art history · Economics · Great Depression · Keynesian economics · Literature · Movie theater · Mythology · Political science · Politics · Art, Politics, and Modernism · Cinema and Media Studies · History · Italian Fascism and Post-war Society · Law
| Highly cited | No |
|---|