An Ankle Queerly turned, or the fetishised bodies in Agatha Christie'sThe Body in the Library
Bibliographic Data
| ID | 5726733 |
|---|---|
| Authors | Alistair Rolls (0000-0003-2547-0618, University of Newcastle Australia, corresponding author) |
| Year | 2015 |
| Volume | 29 |
| Issue | 5 |
| Pages | 825-844 |
| Publication date | 2015-07-29 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Textual Practice (JOURNAL) |
| Journal identifiers | ISSN: 0950-236X • E-ISSN: 1470-1308 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0950236x.2015.1024724 |
| OpenAlex | W1964118235 |
| Language | EN |
This article takes as its point of departure a fetishistic scene from the 2004 ITV television adaptation of Agatha Christie's The Body in the Library in order to demonstrate (1) how fetishism itself is a form of adaptation and thus how adaptation functions fetishistically; (2) how the fetishism diaplayed in the 2004 adaptation of the The Body in the Library reflexively references a more primal fetishism at work in the ‘original’ text; and (3) how the body in The Body in the Library functions as a screen memory to disavow (both veil and reference) a primal, and otherwise purloined, body. Finally, it is argued that the diegesis proper of The Body in the Library is itself a screen memory, or adaptation, designed to mask the original, transgressive desire of Dolly Bantry
Agatha · Art · Fetishism · Literature · Sociology · Transgressive · Visual arts · Anthropology · Crime and Detective Fiction Studies · Law in Society and Culture · Psychology · Shakespeare, Adaptation, and Literary Criticism
| Citation velocity | historical |
|---|---|
| Highly cited | No |