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An Ankle Queerly turned, or the fetishised bodies in Agatha Christie'sThe Body in the Library

Bibliographic Data

ID5726733
AuthorsAlistair Rolls (0000-0003-2547-0618, University of Newcastle Australia, corresponding author)
Year2015
Volume29
Issue5
Pages825-844
Publication date2015-07-29
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTextual Practice (JOURNAL)
Journal identifiersISSN: 0950-236X • E-ISSN: 1470-1308
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0950236x.2015.1024724
OpenAlexW1964118235
LanguageEN

This article takes as its point of departure a fetishistic scene from the 2004 ITV television adaptation of Agatha Christie's The Body in the Library in order to demonstrate (1) how fetishism itself is a form of adaptation and thus how adaptation functions fetishistically; (2) how the fetishism diaplayed in the 2004 adaptation of the The Body in the Library reflexively references a more primal fetishism at work in the ‘original’ text; and (3) how the body in The Body in the Library functions as a screen memory to disavow (both veil and reference) a primal, and otherwise purloined, body. Finally, it is argued that the diegesis proper of The Body in the Library is itself a screen memory, or adaptation, designed to mask the original, transgressive desire of Dolly Bantry

Agatha · Art · Fetishism · Literature · Sociology · Transgressive · Visual arts · Anthropology · Crime and Detective Fiction Studies · Law in Society and Culture · Psychology · Shakespeare, Adaptation, and Literary Criticism

Citation velocityhistorical
Highly citedNo

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