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Invisibility and power in the digital age

Issues for Feminist and Queer Narratology

Bibliographic Data

ID5727036
AuthorsTory Young (English & Media, Anglia Ruskin University, Cambridge, UK, corresponding author)
Year2018
Volume32
Issue6
Pages991-1006
Publication date2018-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTextual Practice (JOURNAL)
Journal identifiersISSN: 0950-236X • E-ISSN: 1470-1308
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0950236x.2018.1486546
OpenAlexW2809522742
LanguageEN
Citations received3

This essay examines the continued assumption that representational visibility equates to power, in the digital age. It considers the tension between the image as a form that captures what already exists and the image as a future possibility in the era of the mantra ‘You cannot be what you cannot see’ and growing recognition of gender fluidity. After re-examination of Peggy Phelan’s reminder about the power of the unmarked, I turn to Ali Smith’s 2014 How to be both, a novel with an interchangeable Renaissance narrative and contemporary story in a palimpsestic structure, to propose a formula that could be described as the becoming-simultaneous of narrative sequence. In conceiving the ‘unnarrated’ as both a gap in what was represented in retrospect in an existing storyworld but equally as a narrative future, I link the unmarked to political possibility, and conclude that you cannot always see what you can be

Aesthetics · Art · Invisibility · Linguistics · Literature · Mantra · Narrative · Narratology · Politics · Queer · Sociology · Computer Science · Gender Studies · Gender, Feminism, and Media · History · Law · Narrative Theory and Analysis · Philosophy · Shakespeare, Adaptation, and Literary Criticism

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Unique citing works3
Citations per year0,6
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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