Metastatic lyricism
John Wilkinson's poetry and poetics
Bibliographic Data
| ID | 5727236 |
|---|---|
| Authors | Gerald L Bruns (University of Notre Dame, corresponding author), Gerald Bruns |
| Year | 2016 |
| Volume | 30 |
| Issue | 4 |
| Pages | 669-687 |
| Publication date | 2016-06-06 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Textual Practice (JOURNAL) |
| Journal identifiers | ISSN: 0950-236X • E-ISSN: 1470-1308 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0950236x.2016.1199132 |
| OpenAlex | W2474142905 |
| Language | EN |
This essay is an attempt to resolve an apparent contradiction between the poetry and the poetics of the Cambridge Poet John Wilkinson, namely how his apparently paratactic (or ‘schizophrenic’) prosody that treats words as material objects in spatial juxtaposition squares with his effort to conceptualize the lyric as an event – an evanescent series of echoes (‘metastases’) whose task is to ‘eventuate reality time and again’. The essay focuses its attention principally upon two late works – Wilkinson’s essay, ‘Repeatable Evanescence’ (Thinking Verse, 4.1 [2014]) and his recent long poem, Courses Matter-Woven (Cambridge: Equipage, 2015). The question that regulates this inquiry is: How is one to read Wilkinson’s work? As he says, he writes in order to defeat any exegesis that tries to settle the meaning of a poem by constructing contexts in which parts fit together to form a whole (a process that Wilkinson identifies as ‘petrifaction’)
Art · Contradiction · Epistemology · Exegesis · Linguistics · Literature · Lyricism · Poetics · Poetry · Digital Humanities and Scholarship · Language, Metaphor, and Cognition · Philosophy · Poetry Analysis and Criticism
| Citation velocity | historical |
|---|---|
| Highly cited | No |