Pixinguinha entre o velho e o novo
Os Arranjos Para Orquestra Popular (1947-1957)
Bibliographic Data
| ID | 5769504 |
|---|---|
| Authors | Ana Lúcia Fontenele (corresponding author), Ana Lúcia Ferreira Fontenele |
| Year | 2018 |
| Publication date | 2018-09-19 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.27.2018.tde-19092018-140819 |
| OpenAlex | W2890819852 |
| Language | PT |
| Citations received | 1 |
| References cited | 2 |
This thesis intends to demonstrate how old and new were combined in Pixinguinha ́s arrangements for the Popular Orchestra in the period between 1947 and 1957.On the one hand, the influence of musicality is noted at the beginning of choro musical genre as the kind of orchestration coming from military bands and the presence of subgenres coming from European ballroom dances such as polka and schottisch among others.On the other hand, in such arrangements, we may find some musical elements considered modern and which Pixinguinha had already been incorporating into choro.Stand out among them the use of voice in contrast with the main melody as well as the rhythmic variations connected to the basics of samba and maxixe.Due to the mapping of constituent elements of musicality coming from choro basic rules and its connection with these new resources, a musical analysis of the four arrangements created for the Popular Orchestra by Pixinguinha during this phase of his career, was performed
Accordion · Aesthetics · Art · Humanities · Musical · Musicality · Orchestration · Rhythm · Visual arts · Arts and Performance Studies · Brazilian cultural history and politics · Computer Science · History, Culture, and Society
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |