Teatros negros e suas estéticas na cena teatral brasileira
Bibliographic Data
| ID | 5769821 |
|---|---|
| Authors | Cristiane Sobral Correa Jesus (corresponding author) |
| Year | 2016 |
| Publication date | 2016-07-26 |
| Open Access | No |
| Type | THESIS |
| Publisher | Biblioteca Central da UNB (PUBLISHER) |
| DOI | 10.26512/2016.07.d.21400 |
| OpenAlex | W4200558379 |
| Language | PT |
| References cited | 3 |
This work aim to reflect on the trajectory of some independent artists and black theater groups in Brazil, those who came before and after the Black Experimental Theater, a theater company created in the 1940s by Abdias do Nascimento, mapping their characteristics, aesthetic singularities, achievements, progress and challenges posed by the reality of the Brazilian cultural scene.Being aware that black artists of yesterday and today are still being characterized according to stereotypes inherited from the slavery period in the country, which means they have little insertion in the national theater scene, the National Forum for Black Performance, and its range and debates, will be one of the venues explored by this research; mainly from its Working Group (WG) entitled "Aesthetic Investigations of the Black Performance".As we shall see, this National Forum shows that despite the adversities and the lack of opportunities individuals and black collectives have organized and resisted creating their own performance cores with an engaged theater, with a distinct way of conception adapted to their specificities.As should be expected, this work will also present a critical reflection about my journey as a woman-black-actress-director-writer, highlighting the main stage productions with which I was and have been involved in my journey as well as my performance with the Cia de Arte Negra Cabeça Feita group.Therefore, based on the theoretical contributions about black theater developed by experts such as Miriam Mendes and Leda Martins, this dissertation intends as well to present propositions for the field of performance based on the African and afro-Brazilian matrixes, in order to reflect on the black theater and its methodological and aesthetic processes aiming on the contribution to the integration of studies and black theatrical productions in the Brazilian theater
Art · Art history · Humanities · Performance art · Visual arts · Yesterday · Arts and Performance Studies · Literature, Culture, and Criticism
| Highly cited | No |
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