Women, Border, and Camera
Israeli feminine framing of war
Bibliographic Data
| ID | 5770026 |
|---|---|
| Authors | Anat Zanger (corresponding author) |
| Year | 2005 |
| Volume | 5 |
| Issue | 3 |
| Pages | 341-357 |
| Publication date | 2005-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Feminist Media Studies (JOURNAL) |
| Journal identifiers | ISSN: 1468-0777 • E-ISSN: 1471-5902 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14680770500271586 |
| OpenAlex | W1922936229 |
| Language | EN |
| Citations received | 3 |
| References cited | 22 |
A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants. (Gloria Anzaldúa 1987 Anzaldúa, Gloria. 1987. Borderlands/La Frontera: The New Mestiza, San Francisco: Spinsters/Aunt Lute. [Google Scholar], p. 3
Aunt · Lute · Cinema and Media Studies · Latin American and Latino Studies · Media, Gender, and Advertising
Colonels & cadres
Military and Militarism in Israeli Society, The
An Accented Cinema
Window Shopping
Maternal Thinking
How To Do Things With Words
Borderlands/La Frontera
Israeli State and Society, The
Women and Power in the Middle East
Identity Politics on the Israeli Screen
‘Bodies that Matter’
“This history’s only good for anger”
Four Mothers
The production of space
Imagined communities
The practice of everyday life
A thousand plateaus
Patterns of militarism in Israel
Tragedy and the sacred
Political Frontiers and Boundaries
Imagined Communities. Reflections on the Origin and Spread of Nationalism
Feminism and Cultural Memory
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2009 - 2020 (12) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |