The Monkey with the Magnifying Glass
Constructions of the Connoisseur in Eighteenth-Century Britain
Bibliographic Data
| ID | 5770038 |
|---|---|
| Authors | Harry Mount (corresponding author) |
| Year | 2006 |
| Volume | 29 |
| Issue | 2 |
| Pages | 167-184 |
| Publication date | 2006-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Oxford Art Journal (JOURNAL) |
| Journal identifiers | ISSN: 0142-6540 • E-ISSN: 1741-7287 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oxartj/kcl004 |
| OpenAlex | W2102077233 |
| Language | EN |
| Citations received | 5 |
Journal Article The Monkey with the Magnifying Glass: Constructions of the Connoisseur in Eighteenth-Century Britain Get access Harry Mount Harry Mount Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 29, Issue 2, June 2006, Pages 167-184, https://doi.org/10.1093/oxartj/kcl004 Published: 01 June 2006
Mount · Historical Art and Culture Studies · Literature: history, themes, analysis
The Painted Fly and the Connoisseur in Eighteenth-Century British Literature
Le connoisseurship et ses révisions méthodologiques
Publishing the Raphael Cartoons and the Rise of Art-Historical Consciousness in England, 1707–1764
Why Do Experts and Amateurs Diverge in Their Tastings? A Pragmatic Analysis of Perception
Amateurs' Exploration of Wine
| Citations per year | 0.29 |
|---|---|
| Citation span | 2009 - 2025 (17) |
| Highly cited | No |