Pequena história do mal
Anselm Kiefer e Walter Benjamin
Bibliographic Data
| ID | 5771583 |
|---|---|
| Authors | Lilian Santiago (corresponding author) |
| Year | 2009 |
| Publication date | 2009-10-13 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.8.2009.tde-22022010-113333 |
| OpenAlex | W1545594289 |
| Language | PT |
| References cited | 6 |
The present Dissertation attempts to bring together Anselm Kiefer's pictorial reflections toward the intellectual tradition sphere that encompasses Literature, Myth, History and Religion, all condensed by the Catastrophe label detached from The Origin of the German Tragic Drama and The Arcades Project both written by Walter Benjamin.The depiction of the Modern Metropolis as an embodiment of Evil is part of Anselm Kiefer artistic poetics.Kiefer depicts himself as the painter whose pictorial masterpieces oscillate between the Progress Hybris and the Terror of the supreme destruction, silence abysses in an ineluctable catastrophe.Towards the end, a negative utopia is outline from a positive barbarism, among the Evil that became radical in our contemporary societies
Aesthetics · Art · Art history · Barbarism · Civilization · Depiction · Destiny (ISS module · Drama · German · Literature · Mythology · Painting · Poetics · Silence · Tragedy (event · Utopia · History · Literature, Culture, and Criticism · Philosophy · Psychoanalysis, Philosophy, and Politics · Psychology and Mental Health
| Highly cited | No |
|---|