Dos dados aos formatos - Um modelo teórico para o design do sistema narrativo no jornalismo digital
Bibliographic Data
| ID | 5771798 |
|---|---|
| Authors | Daniela Bertocchi (corresponding author) |
| Year | 2014 |
| Publication date | 2014-02-17 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.27.2014.tde-21092015-122011 |
| OpenAlex | W2468502063 |
| Language | PT |
| Citations received | 3 |
| References cited | 8 |
We no longer see the digital narrative format as a product of a linear hereditary and closed production in digital journalism.We no longer see the the form of news, their format, what we see in the screens, as a final product.The imbalance that we see here is not in the news itself or in its traditional structure, or even in its social function, but in understand it as an end product, as an effect or a cause, as an outcome, the epilogue or the conclusion of a process.The misfit is in this notion: the end, which implies a beginning.nstead of control and linearity, we propose in this study to observe the storytelling production inside a circular process, a loop that is typical of a post-industrial journalism.Instead of closing static formats, we will notice continuities with adaptive shapes.More lightness and weightlessness rather than rigid and solid narrative structures.In fact, this is a study that embraces both the discomfort and the beauty of the uncertainties that arise from the relationship between forms, contents and screens when we analyse digital storytelling in journalism context.What concern us here shall be create a theoretical apparatus to address this complex condition.In this way, this study opens up a systemic way to think about the design of narratives in digital journalism and thus provide a new insight of this phenomenon.The term storytelling will not, therefore, refer only to what we see on the screens of our technological devices.Here we expand the perspective of classical narrative (the arrangement of the events) and place it as the collective assemblage among the strata of narrative system.Or in other words: in this study, narrative is narrative system.It is worth to emphasize that when we say " expansion of perspective," we mean dilation of vision and no denial nor disagreement with the theoretical constructs and pathways that precede this research .For the construction of the theoretical model, we start from the post-classical narratology, the modern theory of systems and the JDBD model.We observed, in this journey, the arrangement of the narrative system is held collectively by several actors: journalists, engineers, designers, webmasters, business specialists, information architects, users, robots, software, algorithms, among many others.And the journalist operates in some of the strata of the storytelling system, especially in the frontend layers.If familiar with subterranean layers of narrative system, the antenarrative (data and metadata), journalists provide opportunities to better communicate their stories in cyberspace, interfacing formats which cause rich experiences for its audiences.In our understanding, the journalist is potentially a narrative experience designer
Aesthetics · Art · Beauty · Epistemology · Humanities · Journalism · Literature · Media studies · Narrative · Notice · Phenomenon · Political science · Sociology · Storytelling · Computer Science · Education and Digital Technologies · History · Law · Mathematics · Media and Digital Communication · Multimedia Communication and Technology · Philosophy
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,43 |
| Citation span | 2019 - 2021 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |