Politicas e performances da diversidade
Etnografia de um circulo musical intercultural em São Paulo
Bibliographic Data
| ID | 5771887 |
|---|---|
| Authors | Paulo Ricardo Muller (0000-0003-0477-6976, corresponding author) |
| Year | 2009 |
| Publication date | 2009-02-27 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | THESIS |
| Publisher | Universidade Estadual de Campinas (PUBLISHER • BR) |
| DOI | 10.47749/t/unicamp.2009.438659 |
| OpenAlex | W4236430865 |
| Language | PT |
| References cited | 3 |
The objective of this dissertation is to analyze the constitution of a world music production and consumption scene in São Paulo (Brazil) by a network of musical groups and musicians dedicated to the practice of non-western and non-Brazilian musical instruments and languages.This network is formed both by groups that are specialized in specific musical cultures -which sound is largely classified as ethnic music -and groups with a generalist approach to music -which sound is classified as "encounter" or "fusion" of many musical cultures.The fieldwork that provides the observations and interpretations herein combines the assistance of the circuit of commercial performances and my participation in a choir destined to transnational.immigrants dwelling in São Paulo, as well as formal and informal interviews with musicians and musical producers.Through these observations I intend to clarify the logics of production and incorporation of "world musics" to local repertoires and how cultural diversity is used as a rationale of music-making
Choir · Consumption · Cultural Industries and Urban Development · Cultural, Media, and Literary Studies · Music History and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |