When a Flower Is Reborn
The Life and Times of a Mapuche Feminist
Bibliographic Data
| ID | 5772350 |
|---|---|
| Authors | Rosa Isolde Reuque Paillalef (corresponding author) |
| Editors | Florencia E Mallon |
| Year | 2002 |
| Pages | 391 |
| Publication date | 2002-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | When a Flower Is Reborn (SOURCE_BOOK) |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/9780822384212 |
| OpenAlex | W4253140273 |
| Open Library | OL29605532M |
| ISBN | 9780822384212 |
| Language | EN |
| Citations received | 18 |
y editor's introduction ''I'm going to tell you a little about my life, you see, so that we can get to know each other better,'' Isolde Reuque Paillalef says at the beginning of her testimony.These were the first words she spoke to me during our first formal interview on November 29, 1996.We had talked on the phone a couple of times, setting up our meeting, and I had earlier heard from my Santiago colleague María Elena Valenzuela a summary of the role Isolde had played as a Mapuche feminist leader, including a description of how María Elena had gotten to know Isolde on the Chilean delegation to the International Women's Conference in Beijing earlier that year.I met Isolde at the Café Raíces, an experiment in the blending of indigenous cultures, musics, jewelry, and cuisine from all over Latin America that had existed in downtown Temuco for about eight months.Though we were not aware of it at the time, the Café Raíces was already on its last legs when the two of us began to get to know each other across one of its tables.What was perfectly clear to me at that moment were my reasons for wanting to get to know Isolde.Less than a year before I had taught a course on oral history and testimonial literature at the University of Wisconsin in which we had read the most recent experiments in the genre as well as reviewing some of the classics.We had also discussed recent critiques by feminist and postmodern literary critics.In such a context, one of my goals was to explore the possibility of collaborating with a Mapuche woman in the production of a feminist testimonial.I was searching for a horizontal or egalitarian relationship, inasmuch as this was possible.I was not interested in a story that could be ''typical'' or ''representative'' of any group, and in any case I doubted that such typicality could be claimed by any one person.I wanted to collaborate on a testimonio whose author/subject could dialogue and reflect with me about the political and cultural complexities of her people and her culture
Art · Cultural and Social Studies in Latin America · Migration, Education, Indigenous Social Dynamics · Political and Social Dynamics in Chile and Latin America · Chile · Feminists · History · Women social reformers
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The Economic Image-Function of the Periphery
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Finding Max’s wolves
What We Now Know and Should Know
Hybridity and Heresy
Environmentalism and Postcolonialism
Shamans’ Pragmatic Gendered Negotiations with Mapuche Resistance Movements and Chilean Political Authorities
Latin American Identity Politics
Knowing the other/other ways of knowing
Chile's Other History
Had Pilar Ternera co-written Cien Aňos de Soledad, Gabo, I’d never write you now
Perquenco's Travelling Guitarists and the Administrative Inconsistencies of the Pinochet Dictatorship's Indigenous Policies
How Will We Recognize Each Other as Mapuche
The Politics of Gender, Human Rights, and Being Indigenous in Chile
Ritualized Dimensions of Personhood, Sociality, and Power among the Mapuche of Chile
Recreated practices by Mapuche women that strengthen place identity in new urban spaces of residence in Santiago, Chile
Indigenous in the city
| Unique citing works | 18 |
|---|---|
| Citations per year | 0,82 |
| Citation span | 2004 - 2024 (21) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 18 |