Colagem musical na música eletrônica experimental

Datos Bibliográficos

ID5773345
AutoresHenrique Iwao Jardim Da Silveira (autor de correspondencia)
Año2012
Fecha de publicación2012-10-01
Peer ReviewedSí
Open AccessSí
TipoTHESIS
EditorialUniversidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER)
DOI10.11606/d.27.2012.tde-07032013-165026
OpenAlexW2153192792
IdiomaPT
Referencias citadas14

This research aims to make a repertoire of and a reflection upon works and performances of electronic experimental music that use music and musical recordings as compositional material.It investigates the practice of musical collage in its several possibilities of use.It starts by contextualizing the theme: showing some antecedents in the european concert music tradition and in the visual arts; making a small chronology from the repertoire and a historical account of the technologies employed.Introduces important categories such as sampling, plunderphonics, quotation, plagiarism and intermusicality.Addresses the concept of referentiality, treating it as an important compositional aspect and relating it with the notions of recognition, sound and musical sources, familiarity, pastiche.Explores two subthemes: the trio bricolage, assemblage, décollage and the postmodern period.In conclusion, thinks about the relation of musical collage and the incompleteness character of musical artefacts

Aesthetics · Art · Bricolage · Literature · Musical · Musical composition · New Interfaces for Musical Expression · Repertoire · Theme (computing · Visual arts · Computer Science · Diverse Musicological Studies · Music and Audio Processing · Music Technology and Sound Studies