Form, fragment, refiguring return

Memory and abstraction in three Palestinian poems

Bibliographic Data

ID5773570
AuthorsBrigid Quirke (corresponding author)
Year2023
Publication date2023-10-31
Peer ReviewedYes
Open AccessNo
TypeTHESIS
PublisherVictoria University of Wellington Library (PUBLISHER)
DOI10.26686/wgtn.24468013
OpenAlexW4388080153
LanguageEN
Citations received1
References cited30

Memory-as-reclamation has been a cornerstone in Palestinian cultural production since the Nakba began in 1948. But 75 years on, generational and temporal remove complicates the relationship between memory, place and resistance. In the words of Penny Johnson, memory- as-reclamation is now "a vexed project" for writers in the diaspora. This thesis reads three poems by writers of Palestinian descent and considers how they each think about questions of memory and abstraction. The scope of these ideas is kept open. This reading examines content, craft and the way each poem interacts with other writing, both within and outside of each poet's oeuvre. Taking Noor Hindi's "Fuck Your Lecture on Craft, My People Are Dying", George Abraham's "Alternate Mythologies of Rage & Exile, in Fragments", and Zaina Alsous' "The Workers Love Palestine" as its key texts, this thesis draws attention to each poem's concern with form. For these poets and poems, Palestine operates as a site of political-aesthetic tension. This thesis interrogates how each poem considers and rejects identity as a reductive tool for categorisation, and magnifies each writer's thinking about the contribution and limitations of aesthetics and poetics to a project of Palestinian liberation

Aesthetics · Art · Cultural memory · Literature · Mythology · Poetics · Poetry · Sociology · Anthropology · History · Jewish and Middle Eastern Studies · Middle East and Rwanda Conflicts · Middle East Politics and Society

Tools

Open DOIOpen Access