The New German Art History
From Ideological Critique and the Warburg Renaissance to the Bildwissenschaft of the Three Bs
Bibliographic Data
| ID | 5773721 |
|---|---|
| Authors | David Craven (0000-0003-1108-5698, corresponding author) |
| Year | 2014 |
| Volume | 6 |
| Issue | 2 |
| Pages | 129-147 |
| Publication date | 2014-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Art In Translation (JOURNAL) |
| Journal identifiers | ISSN: 1756-1310 • E-ISSN: 2380-5722 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.2752/175613114x13998876655059 |
| OpenAlex | W2335361606 |
| Language | EN |
| Citations received | 1 |
This is an introduction to "The New German Art History", which developed in (West) Germany from the 1970s onwards. David Craven presents an overview of the innovative phases of art historical practices, from the "ideological critique" of the 1970s to the "Warburg Renaissance" of the 1980s and the Bildwissenschaft (The Analysis of Visual Images) of the 1990s. Craven discusses key figures in German art history, including Martin Warnke, Berthold Hinz, Franz-Joachim Verspohl, Hans Belting, Gottfried Boehm, Horst Bredekamp and others
History of art · Horst · Architecture and Art History Studies · Art, Politics, and Modernism · Visual Culture and Art Theory
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |