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Painting a New Battle Tipi

Public Art, Intellectual Property, and Heritage Construction in a Contemporary Native American Community

Bibliographic Data

ID5774798
AuthorsMichael Paul Jordan (0000-0001-7364-5254, Texas Tech University), Daniel C Swan (0000-0003-0906-2614, University of Oklahoma)
Year2011
Volume56
Issue219
Pages195-213
Publication date2011-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePlains Anthropologist (JOURNAL)
Journal identifiersISSN: 0032-0447 • E-ISSN: 2052-546X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1179/pan.2011.017
OpenAlexW2003593633
LanguageEN
Citations received4
References cited14

The Kiowa Black Leggings Warrior Society is a twentieth-century revival of the Tonkongya, one of several military societies active among the Kiowa in the nineteenth century. In 1958, a group of Kiowa veterans reactivated the Tonkongya to recognize the contemporary military service of community members. The organization has prospered over the ensuing half a century to become a recognized force in contemporary Kiowa society and the Society's ceremonials have become an important arena for expressing Kiowa identity. The revival of the Kiowa Black Leggings Warrior Society reflects the ongoing importance of the warrior tradition in Plains Indian communities and the resurgence of interest in Native identity in the late twentieth century. The Society celebrated the fiftieth anniversary of its revival in 2008. A central component of the celebration was the decision by the officers of the organization to commission a new iteration of their painted Battle Tipi. The Sam Noble Museum of Natural History developed a collaborative relationship with the Black Leggings Society to document this public art initiative. This article explores the issues of artistic interpretations, community discourse, and intellectual property associated with the production of the new tipi and its dedication during the anniversary celebration

Art Education and Development · Museums and Cultural Heritage · Participatory Visual Research Methods

  • On Cultural Appropriation

    Jackson Jackson•Journal of Folklore Research•2021

  • Contingent Collaborations

    Swan Swan, Jordan Jordan•Journal of Folklore Research•2015

  • Exhibiting Heritage

    Open Access•Daniel C Swan, Aleksandr Chudak•Museum Anthropology Review…•2022

  • A Language Fair, a Community and a Museum

    Open Access•Daniel C Swan, Mary S Linn•Museum Anthropology Review…•2021

  • Museums and Source Communities

    Open Access•Anita Herle•The International Encyclopedia of…•2018

  • Visual Interventions

    Sarah Pink•Visual interventions•2007

  • Guest Editor's Introduction

    Open Access•Sarah Pink•Visual Anthropology Review•2004

  • The Indian Man

    Raymond D Fogelson, L G Moses•The American Historical Review•1985

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    Candace S Greene•Plains Anthropologist•1996

  • Notes on the Kado, or Sun Dance of the Kiowa

    Open Access•Hugh Lenox Scott•American Anthropologist•1911

  • The Chicago Guide to Collaborative Ethnography

    Luke Eric Lassiter•The Chicago Guide to Collaborative…•2005

  • Truly Dancing Their Own Way

    Clyde Ellis•The American Indian Quarterly•1990

  • The Power of Kiowa Song

    Joann W Keali''Inohomoku, Joann W Kealiinohomoku et al.•Yearbook for Traditional Music•2000

  • The Indian Man

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  • Shields and Lodges, Warriors and Chiefs

    Joyce M Szabo•Ethnohistory•1993

Unique citing works4
Citations per year0,36
Citation span2015 - 2022 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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