Uma pernambucana decidida
Nancy Wanderley na chanchada (1954-1960)
Bibliographic Data
| ID | 5774816 |
|---|---|
| Authors | Júlio César Lobo (0000-0001-9935-4383, corresponding author) |
| Year | 2012 |
| Volume | 39 |
| Issue | 38 |
| Pages | 86-86 |
| Publication date | 2012-12-23 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Significação Revista de Cultura Audiovisual (JOURNAL) |
| Journal identifiers | ISSN: 1516-4330 • E-ISSN: 2316-7114 |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-7114.sig.2012.71140 |
| OpenAlex | W2070853315 |
| Language | EN |
| Citations received | 1 |
This essay aims to examine how the carioca actress Nancy Wanderley Rio built the kind of brave Pernambuco woman, especially regarding the use of physical force, in most of its stake in carioca musical comedy film, the slapstick, from a stereotype of women Northeast consolidated in the ballad Paraíba. For that investigates the historical origins of the term, the transformation of that song in musical success as well as the audiovisual appearance of his matrix, the Madame Pau-Pereira in É fogo na roupa (1952). Here, we analyze five films: O petróleo é nosso (1954), No mundo da lua (1958), O camelô da rua larga (1958), Quem roubou meu samba? and Samba em Brasília (1960
Ballad · Comedy · Stereotype (UML · Brazilian cultural history and politics · Cultural, Media, and Literary Studies · Physical Education and Sports Studies
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |