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Ensaio E Imagens De Arquivo

A História a Contrapelo, O Cinema No Contraplano

Bibliographic Data

ID5775019
AuthorsDiogo De Freitas Cavour (corresponding author)
Year2023
Publication date2023-09-27
Peer ReviewedYes
Open AccessNo
TypeTHESIS
PublisherFaculdades Catolicas (PUBLISHER)
DOI10.17771/pucrio.acad.64457
OpenAlexW4388192813
LanguageEN
References cited2

This research investigates the formal and conceptual relationships between the use of archive images and the essayistic gesture based on three axes: essayism in the use of archive images; cinematographic language as a political tool; and reflections on the archive in the light of counter-archive practices.Through a transdisciplinary approach and in the intersection of discussions on cinema, archives, history and politics, I try to offer answers to the following questions: how the use of archival images can become a device for the essay film?And how can art, and in particular cinema, contribute to the battle against hegemonic regimes

Archaeology · Art · Art history · Battle · Cartography · Geography · Gesture · Hegemony · Movie theater · Political science · Politics · Visual arts · Brazilian cultural history and politics · Computer Science · Cultural, Media, and Literary Studies · History · Law · Memory, Trauma, and Testimony · Artificial Intelligence

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  • Cartografia do Found Footage

    Open Access•Nicole Brenez, Pip Chodorov•Revista Laika•2014

Citation velocityhistorical
Highly citedNo

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