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A Vingança No Cinema Contemporâneo
Bibliographic Data
| ID | 5776961 |
|---|---|
| Authors | Claudio Felicio Pifano Silva (corresponding author) |
| Year | 2021 |
| Publication date | 2021-02-26 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | THESIS |
| Publisher | Faculdades Catolicas (PUBLISHER) |
| DOI | 10.17771/pucrio.acad.53623 |
| OpenAlex | W4206017337 |
| Language | PT |
| References cited | 2 |
The feuilleton has other elements besides the melodrama and has its own characteristics.The aim of the thesis is to investigate the resumption of the feuilleton by contemporary cinema with an emphasis on the theme of revenge.Among so many pages in the feuilleton, the revenge page went beyond the literary universe and became part of a fictional memory.Since it was released in the 19th century, The Count of Monte Cristo has been taken up again through irony, criticism or parody in diverse products of mass culture and in different media.Due to the importance of Dumas' novel, the present work makes Monte Cristo a theoretical place to analyze revenge as a narrative machine through which filmmakers discuss contemporary issues.As corpus for analysis, the selected films were Kill Bill -Volume 1 and Volume 2 (2003/2004), by Quentin Tarantino, Old Boy (2003), by Chan Wook Park, and The skin I live in (2011), by Pedro Almodóvar.In these films, the theme of revenge brings up issues of narrative genre, seriality and technology
Art · Art history · Criticism · Irony · Literature · Mass culture · Movie theater · Narrative · Sociology · Theme (computing · Anthropology · History · Shakespeare, Adaptation, and Literary Criticism
| Citation velocity | historical |
|---|---|
| Highly cited | No |