Possíveis Contribuições da Etnomusicologia Para a História Social do Carnaval
Reflexões sobre potências, limites e contradições de um campo disciplinar
Bibliographic Data
| ID | 5777610 |
|---|---|
| Authors | Tânia De Freitas Borges (0000-0002-8993-4760, corresponding author) |
| Year | 2024 |
| Volume | 13 |
| Issue | 3 |
| Pages | 91-117 |
| Publication date | 2024-12-23 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Música e Cultura (JOURNAL) |
| Journal identifiers | ISSN: 1980-3303 • E-ISSN: 1980-3303 |
| Publisher | Associação Brasileira de Etnomusicologia (PUBLISHER) |
| DOI | 10.71199/h55yhm36 |
| OpenAlex | W4405985751 |
| Language | PT |
| References cited | 2 |
The present article aims to highlight possible contributions arising from the accumulations of ethnomusicology to Brazilian historiography related to music and popular festivals, with a special focus on the social history of Carnival from the late 19th century to the early 20th century. Additionally, it opens up a more essayistic space for reflection on the issue of alterity (a foundational element of the ethnomusicological disciplinary field), its limits, and contradictions. The article points, in contrast, to other horizons made possible by the emergence of new social and political subjects as researchers in this field
Arts and Performance Studies · Brazilian cultural history and politics · Urban and sociocultural dynamics
| Citation velocity | historical |
|---|---|
| Highly cited | No |