Três ensaios sobre a Tropicália de Tom Zé
Da \'Era dos Festivais\' à \'Era dos Editais
Bibliographic Data
| ID | 5778504 |
|---|---|
| Authors | Patrícia Anette Schroeder Gonçalves (0000-0001-6691-4989, corresponding author), Patrícia Gonçalves (0000-0003-4625-8229) |
| Year | 2019 |
| Publication date | 2019-01-16 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.31.2019.tde-16012019-142633 |
| OpenAlex | W2941558935 |
| Language | PT |
| Citations received | 1 |
| References cited | 2 |
These three essays examine in an interdisciplinary approach composer Tom Ze's music path in three different periods: during the 1960's, when he was rewarded a prize in a television Brazilian Popular Music Festival in 1968; later in the 2000's, when the composer restarted his career putting an end to a long-term period of seclusion after David Byrne's record company Luaka Bop had launched a Tom Ze's song collection in United States; and in the early 2010's when the Brazilian musician recorded an album named Tropicália Lixo Lógico (2012), sponsored by a both public and private funding, in which he has emphasized the importance of his local roots in his work and in Tropicalia genesis itself.By establishing theoretical ties
Aesthetics · Art · Art history · Cartography · Geography · Humanities · Performance art · Seclusion · Visual arts · Brazilian cultural history and politics · Psychology · Youth, Politics, and Society
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |