Microfone em chamas
Slam, Voz E Representação
Bibliographic Data
| ID | 5778732 |
|---|---|
| Authors | Luiza Sousa Romão (corresponding author) |
| Year | 2022 |
| Publication date | 2022-08-26 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/d.8.2022.tde-04012023-121226 |
| OpenAlex | W4313492537 |
| Language | EN |
| References cited | 5 |
duction of some slammers.In the first chapter, I propose a comparative analysis between the context of the origin of slam in the United States and its development in Brazil, discussing competition, authenticity, game and political assembly.In the second chapter, I address the issue of voice and the split between logos and phone, analyzing the poems "Dog's day", by Pieta Poeta and "Dog's World", by Beto Bellinati.In the third chapter, I discuss representation and gender, approaching the poems "i don't know when stop", by Ana Roxo and "woman of word", by luz ribeiro
Art · Humanities · Linguistics · Literature · Logos Bible Software · Poetry · Political science · Politics · Representation · Theology · Cultural, Media, and Literary Studies · Digital Communication and Language · History · Law · Linguistics and Education Research · Philosophy
| Highly cited | No |
|---|