Inventando O Fotolivro De Literatura No Brasil D Os Sertões De Euclides Aos Sertões De Bisilliat

Dados Bibliográficos

ID5779543
AutoresAna Lázara Fernandes (0000-0003-3598-2916, Pontifícia Universidade Católica do Rio de Janeiro, autor correspondente), ANA LUIZA MAIA GAMA FERNANDES
Ano2021
Data de publicação2021-11-22
Peer ReviewedSim
Open AccessNão
TipoTHESIS
EditoraFaculdades Catolicas (PUBLISHER)
DOI10.17771/pucrio.acad.57129
OpenAlexW4205174216
IdiomaPT
Referências citadas9

The "invention of the literary photobooks" may misleadingly suggest that our main interest here is historical-documentary, a thesis on the emergence of this phenomenon, which is hybrid, expanded, intermedial.It's not the case.Here, there is a theoretical ambition: to provide a setting for its observation and, from there, to establish a disciplined pattern of activity capable of placing it "in a historical perspective".How are poetry (or prose) and photography related in literary photobooks?We explore the idea that verbal and photographic systems (or processes) "combine" into a form of interaction that is not only bidirectional, but involves modulatory influences that connect word and image, for a historically situated reader.How can we characterize, or define, this process?On this topic, there are few publications, although it has recently started to show quite robust results.In the absence of a consolidated critical literature on hybrid literary phenomena involving photography, it seems to us a good idea to situate the literary photobooks in existing areas: Intermedial Studies and Semiotics.We devote a close attention to the study of models, theories and terminologies, available in these areas, to explain the phenomenon observed -the relationship between verbal text (poetry and/or prose) and photography, in photobooks.This is the core of this work.This thesis is divided into three parts: (i) definition, characterization and relevance of the literary photobooks phenomenon; (ii) terminologies, theories and models -used to describe and analyze the relationships between poetry/prose and photography, in the observed phenomenon; (iii) analysis of word-image complex relationship in literary photobooks produced in Brazil in the 20th century.Among those selected are: Os Sertões ( 1902), text by Euclides da Cunha and photographs by Flávio de Barros; Pintura em Pânico (1943), text and photomontages by Jorge de Lima; Quarenta clics em Curitiba (1976

Art · Epistemology · Linguistics · Literature · Originality · Phenomenon · Photography · Poetry · Qualitative research · Relevance · Semiotics · Situated · Sociology · Visual arts · Anthropology · Computer Science · Cultural, Media, and Literary Studies · Media, Communication, and Education · Philosophy · Visual Culture and Art Theory · Artificial Intelligence