Una sociedad timucua y su estilo
Claude Lévi-Strauss en Tríptico de la infamia de Pablo Montoya
Bibliographic Data
| ID | 5779578 |
|---|---|
| Authors | Juan Carlos Orrego Arismendi (0000-0002-5974-9206, Universidad de Antioquia, corresponding author) |
| Year | 2017 |
| Issue | 41 |
| Pages | 33-47 |
| Publication date | 2017-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Estudios de Literatura Colombiana (JOURNAL) |
| Journal identifiers | ISSN: 0123-4412 • E-ISSN: 2665-3273 |
| Publisher | Universidad de Antioquia (PUBLISHER • CO) |
| DOI | 10.17533/udea.elc.n41a02 |
| OpenAlex | W2738900363 |
| Language | ES |
| Citations received | 1 |
Tríptico de la infamia (2014a), a novel by Pablo Montoya, develops the topic of body painting among the Florida Timucua indigenous people, in the context of a failed attempt of French colonization during the 16th century. Considering the dearth of documents that treat this particular ethnological event, the author draws upon resources such as mimesis in anthropological discourse and ethno-fiction, particularly based on reflections and data divulged by Claude Lévi-Strauss in his Tristes trópicos (1992). With this, the article presents, appealing to anthropological legitimacy, what are, in fact, aesthetic musings
Archaeology · Art · Art history · Context (archaeology · Humanities · Indigenous · Legitimacy · Painting · Political science · Sociology · Cultural and Social Studies in Latin America · Latin American history and culture · Migration, Health, Geopolitics, Historical Geography · History · Law
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |