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Pulsando junto

Caixeiras do divino e sua música diaspórica

Bibliographic Data

ID5779704
AuthorsMarise Glória Barbosa (corresponding author)
Year2015
Publication date2015-05-21
Peer ReviewedYes
Open AccessNo
TypeTHESIS
PublisherBiblioteca Central da UNB (PUBLISHER)
DOI10.26512/2015.05.d.18900
OpenAlexW2190345286
LanguageEN
References cited2

The goal of this research was to get knowledge about the music of Caixeiras do Divino in its contemporary forms, within musical constructions developed in contact zones (Hall, 2003), during diasporic process in the colonization time.Those forms were comprehended as constructions, instead rediscoveries, and holds relevant information about our intercultural and cross-national formation.It were included data about the historic context belonging to the population of Maranhão (Brazil) with the intention to provide a support to claim a relationship between Holy Spirit festive worships and the music of Caixeiras do Divino.To that, It was studied geographic aspects related to different regions of Maranhão.The research about the musical construction of Caixeiras do Divino involved musical analysis.These analysis also intended shedding light on the process of free apropriation e recomposition of elements intrinsec to this repertoire.These analysis were accomplished within a contextual thinking, that means, always having in mind the social context where this music is created.Thus, these analysis offer a support for the dialog between the music and the meanings atributed to it by the Caixeiras do Divino, showing other possibilities for reading the data produced in this research

Art · Dialog box · Humanities · Linguistics · Literature · Musical · Population · Repertoire · Sociology · Visual arts · World Wide Web · Computer Science · Cultural, Media, and Literary Studies · Food, Nutrition, and Cultural Practices · History · Philosophy · Urban and sociocultural dynamics

  • Imagined communities

    Benedict Anderson•Imagined communities•1991

  • The Commercial Rumba

    Robin Moore•Latin American Music Review•1995

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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