A dialética da composição musical em Theodor W. Adorno
Bibliographic Data
| ID | 5780477 |
|---|---|
| Authors | Igor Baggio (0000-0002-4974-716X, corresponding author) |
| Year | 2015 |
| Publication date | 2015-04-06 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.8.2015.tde-29092015-152809 |
| OpenAlex | W2740677470 |
| Language | PT |
| References cited | 4 |
The Frankfurtian philosopher Theodor W. Adorno occupied a key position in the debates of the musical avant-garde over approximately forty years, between 1924 and 1964.His essays and musical monographies produced during this period are the most complex and profound philosophical reflections available on the destinies of musical composition during the twentieth-century.A reflection that privileging compositional practice as its starting point was largely absorbed and helped to drive the whole movement of New Music.This doctoral thesis makes an interpretation of Adorno's musical thought starting from this fundamental premise which states the rooting of his philosophical reflection on questions regarding the compositional practice of radical music.Its main objective is to clarify how Adorno conceived along his work the immanent dialectical categories of musical form in their mutual determination with the aesthetic appearance statute of musical works
Aesthetics · Art · Art history · Dialectic · Epistemology · Linguistics · Literature · Musical · Musical analysis · Musical composition · Premise · Italian Literature and Culture · Literature, Musicology, and Cultural Analysis · Musicology and Musical Analysis · Philosophy
| Highly cited | No |
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