Literatura e política nos romances de Patrícia Galvão
Bibliographic Data
| ID | 5785266 |
|---|---|
| Authors | João Carlos Ribeiro (0000-0002-1039-6358, Microsoft (Brazil), corresponding author), João Carlos Ribeiro Junior |
| Year | 2017 |
| Publication date | 2017-01-19 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.8.2017.tde-19012017-134438 |
| OpenAlex | W2742048445 |
| Language | PT |
| References cited | 4 |
Patrícia Galvão's artistic work has a political framework in which communist theory and practice are intertwined with the modernist experience.Taking into consideration the author ́s trajectory, the strict correspondence between her first book and PCB's watchwords allows us to recognize and evaluate tensions, conflicts and dilemmas of the Brazilian left-wing.The figuration of the other, in this case, the emerging proletariat after the 1930 revolution, and the difficulties faced by the writer, or intellectual, in dealing with this matter play a key role in our analysis.The study of Parque industrial (1933), both in its internal characteristics and in its place in the history of Brazilian modernism, occupies most of this work
Art · Communism · Humanities · Literature · Modernism · Political science · Politics · Proletariat · Sociology · Brazilian cultural history and politics · Law · Literature, Culture, and Criticism · Sociology and Education in Brazil
| Highly cited | No |
|---|