O Mosaico Sertão Veredas-Peruaçu
A ressignificação de Grande Sertão : Veredas pelo turismo literário
Bibliographic Data
| ID | 5785307 |
|---|---|
| Authors | Adriano Teles De Menezes (corresponding author) |
| Year | 2016 |
| Publication date | 2016-07-06 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | THESIS |
| Publisher | Biblioteca Central da UNB (PUBLISHER) |
| DOI | 10.26512/2016.07.d.21334 |
| OpenAlex | W2516121224 |
| Language | PT |
| References cited | 3 |
The Mosaic Sertão Veredas-Peruaçu was designed with the aim of uniting and valuing different cultures of local communities in northern and northwestern Minas Gerais state.In a cultural context, the appropriation of Grande Sertão: Veredas (The Devil to Pay in the Backlands) by Guimarães Rosa, within tourist activities can be perceived through the representations of the sertaneja culture as well as the constituting elements of the book.This process of resignification of both sertaneja and Rosa's universe occurs via managers, hosts and visitors along with a proposed tourist itinerary that supports the use of literary tourism concept in the actions organized.The initial point is the understanding of the definition of literary place as proposed by David Herbert (2001), as well as emphasizing the concept of literary tourism of Magadan and Rivas (2012).The notions that characterize the reader / tourist and / or tourist / reader is also presented, along with the motivations that lead them to seek such destinations.Cultural aspects of contemporary tourism are approached to situate the literary tourism as a type of tourism that is concerned with the social development and the enhancement of local communities, their traditions, customs and ways of life.Theorizing underlies on the understanding of the social imaginary within the actions developed in the Mosaic.The representations that arise from the process of appropriation and the analysis of the agents' narratives themselves that make up the place object of this work.The narratives collected and interpreted in the light of oral history allow to view the application of the definition of literary tourism and learn about new meanings and representations present in the discourse and in the minds of respondents who either corroborate with the maintenance of social identity of the locals and of the place as a literary tourist destination itself
Aesthetics · Appropriation · Archaeology · Art · Epistemology · Geography · Humanities · Literature · Narrative · Sociology · Tourism · Cruise Tourism Development and Management · Diverse Aspects of Tourism Research · Philosophy · Religious Tourism and Spaces
| Citation velocity | historical |
|---|---|
| Highly cited | No |