Rorschach Audio
Ghost Voices and Perceptual Creativity
Bibliographic Data
| ID | 5788928 |
|---|---|
| Authors | Joe Banks (9 Cranfield House, 97 Southampton Row, London WC1B 4HH, U.K. E-mail: <>., corresponding author) |
| Year | 2001 |
| Volume | 11 |
| Pages | 77-83 |
| Publication date | 2001-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.1162/09611210152780728 |
| OpenAlex | W2123604547 |
| Language | EN |
| Citations received | 4 |
| References cited | 5 |
The author considers research into allegedly supernatural "Electronic Voice Phenomena" (EVP) in light of both anecdotal reports and formal experimental studies of related aspects of human auditory perception. He offers the primary hypothesis that an understanding of the relevant aspects of psychoacoustics provides a complete explanation for most EVP recordings, and a secondary hypothesis that an informed understanding of these processes is as relevant to the emergent field of sound art as studies of optical illusions have been to the study of visual art
Psychoacoustics · Rorschach test · Aesthetic Perception and Analysis · Multisensory perception and integration · Musicology and Musical Analysis
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,31 |
| Citation span | 2013 - 2023 (11) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |