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Listening to Intergalactic Sounds - Articulation of Rastafarian Livity in Finnish Roots Reggae Sound System Performances

Bibliographic Data

ID5790263
AuthorsTuomas Järvenpää (0000-0003-1233-3606, Finland University, corresponding author)
Year2015
Volume50
Issue2
Pages273-293
Publication date2015-01-07
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueTemenos - Nordic Journal for the Study of Religion (JOURNAL)
Journal identifiersISSN: 0497-1817 • E-ISSN: 2342-7256
PublisherTemenos (PUBLISHER)
DOI10.33356/temenos.48463
OpenAlexW1830161033
LanguageEN
Citations received2
References cited15

Rastafari is an Afro-Jamaican religious and social movement, which has since the 1970s spread outside of the Caribbean mainly through reggae music. This paper contributes to the academic discussion on the localization processes of Rastafari and reggae with an ethnographic account from the Nordic context, asking how Finnish reggae artists with Rastafarian conviction mobilize this identification in their performance. The paper focuses on one prominent Finnish reggae sound system group, Intergalaktik Sound.The author sees reggae in Finland as divided between contemporary musical innovation and the preservation of musical tradition. In this field, Intergalaktik Sound attempts to preserve what they consider to be the traditional Jamaican form of reggae sound system performance. For the Intergalaktik Sound vocalists, this specific form of performance becomes an enchanted space within a secular Finnish society, where otherwise marginal Rastafarian convictions can be acted out in public. The author connects the aesthetic of this performance to the Jamaican dub-music tradition, and to the concept of a 'natural life', which is a central spiritual concept for many Finnish Rastafarians. The article concludes that these sound system performances constitute a polycentric site where events can be experienced and articulated simultaneously as religious and secular by different individuals in the same space

Articulation (sociology · Caribbean history, culture, and politics · Latin American and Latino Studies · Music History and Culture

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  • The riddim method

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  • The Role of Popular Music in the Construction of Alternative Spiritual Identities and Ideologies

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Unique citing works2
Citations per year0,18
Citation span2015 - 2018 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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Open DOIOpen Access
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