A dramaturgia portuguesa nos palcos paulistanos
1864 A 1898
Bibliographic Data
| ID | 5791786 |
|---|---|
| Authors | Edson Santos Silva (0000-0002-5921-7883, corresponding author) |
| Year | 2009 |
| Publication date | 2009-03-12 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.8.2009.tde-05022010-131410 |
| OpenAlex | W1575006387 |
| Language | PT |
| Citations received | 2 |
| References cited | 1 |
The paulistano theater was, during the years 1864 a 1898, a proof about what was happening in the Rio de Janeiro Court.From there, were export any kind of spectacles, which enchanted the public of São Paulo; a kind of public eager for fun and "culture" and decided to pay for it.Those spectacles or shows had as patterns those performances put on scene on French stages, and which dramaturgy presented two main points: one, the neoclassic tragedy, being considered as the serious theater because it was concerned about the literary quality of the text, and, therefore, it was focused on the "thought" class.And, the other main point was the romantic drama, indeed, melodramas, for the bourgeoisie, powerful economical class of that time, which had no cultural budget yet.These performances, destined, primordially, to the bourgeoisie, were or would have to be stuffed of strong scenes, great emotions and let to the stage, almost always, a foreseeable plot and, over all, of sentimental matrix.If the neoclassic tragedy was directed to the thought, the romantic dramas/melodramas were just a feast to the eyes.All this theater fermentation arrived to Brazil through Portugal
Aesthetics · Art · Bourgeoisie · Drama · Dramaturgy · Literature · Plot (graphics · Political science · Politics · Romance · Tragedy (event · Arts and Performance Studies · History · History, Culture, and Society · Law · Literature, Culture, and Criticism
| Citations per year | 0.17 |
|---|---|
| Citation span | 2014 - 2019 (6) |
| Highly cited | No |