Cinema e industria
O Conceito De Modo De Produção Cinematográfico E O Cinema Brasileiro
Bibliographic Data
| ID | 5791789 |
|---|---|
| Authors | Leandro Mendonca (corresponding author), Leandro José Luz Riodades de Mendonça |
| Year | 2007 |
| Publication date | 2007-04-27 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.27.2007.tde-22072009-183038 |
| OpenAlex | W1518115982 |
| Language | EN |
| References cited | 2 |
This thesis discusses the historiography of Film History.Film History has produced a set of material that, generally, takes as starting point the films themselves and do not consider extra text material, such as the economy and the reception of the film.This work attempts, through the concept of mode of production, bridge under a conceptual apparatus matching up aesthetic and economic matters.In doing so, the work critically looks at the fifties Brazilian Film History and makes basically two propositions: one is that Cinema may be understood through the conception of mode of production; the second consists of the description of two examples, in general terms, of modes of production coexistent in the decade.Finally, it highlights that the set of chanchada films, produced by Atlantida, may be characterized as a mode of production that is in many ways opposed to the more recent modes of production represented by the film Rio 40 Graus
Art · Art history · Economics · Film studies · Historiography · Humanities · Mode (computer interface · Mode of production · Movie theater · Brazilian cultural history and politics · Computer Science · Cultural, Media, and Literary Studies · History · History, Culture, and Society
| Highly cited | No |
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