Ele fala de si como de um outro
Samuel Beckett e o objeto voz
Bibliographic Data
| ID | 5791817 |
|---|---|
| Authors | Mario Augusto Pedrozo Sagayama (0000-0002-8873-0280, Universidade Católica de Pelotas, corresponding author) |
| Year | 2017 |
| Publication date | 2017-06-23 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.8.2017.tde-23062017-134505 |
| OpenAlex | W2742358877 |
| Language | PT |
| References cited | 4 |
Reading Company (1980) was the aim of this paper.The first volume of Samuel Beckett ́s Nohow on, his last trilogy, the novel brings up to the foreground one of the most thought-provoking formal features of Beckett ́s work: the voice.In this reading, voice was approached according to Jacques Lacan voice theory, in what concerns language and, also, as an object of invocatory drive
Art · Humanities · Linguistics · Literature · Trilogy · Literature, Culture, and Criticism · Philosophy · Philosophy, Ethics, and Existentialism · Samuel Beckett and Modernism
| Citation velocity | historical |
|---|---|
| Highly cited | No |