Laughing Matters
The Comedian as Social Observer, Teacher, and Conduit of the Sociological Perspective
Bibliographic Data
Much of the sociological curriculum often represents society as tragedy. This article explores the incorporation of a society as comedy component in introductory courses at two institutions using the sociological insight and social critique of comedians. A general discussion of parallels between the comedic eye and the sociological imagination is followed by specific steps for locating, selecting and incorporating comedic clips into various courses. Through comparisons between experimental and control groups, as well as student questionnaires, we found that the use of comedians to model sociological perspectives increased student ability to apply course concepts, decreased student anxiety when tackling new concepts, and engaged a broader number of students during class discussion. We conclude with discussion of challenges specific to these methods-language use and controversial comedians-as well as the broader need to learn from figures who have been historically successful at engaging the public on issues of social importance
Comedy · Sociological imagination · Sociological theory · Communication in Education and Healthcare · Humor Studies and Applications · Innovative Teaching Methodologies in Social Sciences
Towards a New Poetics of Comedic Performance in Kenya Following Covid-19
Becoming Badass
Stand-up in the age of outrage
Laughing behind bars
Ought comedies be censored? Take Dave Chapelle and Ali Wong as case studies
Making way for memes in the social science classroom
Satire Between the Lines
Monument to the international community, from the grateful citizens of Sarajevo’
Aesthetic as Analysis
Breaking the Crass Ceiling? Performing Irony and White Femininity in Amy Schumer’s Mostly Sex Stuff Stand-Up
Digital Comedy Skits, Male-to-Female Cross-dressing and Gender Non-conformance in Nigeria
What's so funny?
For Public Sociology
Not Necessarily Not the News
The sociology of humor
The family on television
The Sociological Imagination
Humor and Society
A Film-Augmented Course on International Social Movements
Tapping into Parallel Universes
Teaching the Sociology of Sport
Sociology and the Feature Film
Popular Music in the Classroom
Where Popular Culture Meets Deviant Behavior
The Cartoon Society
Education for Survival
Cinema Sociology
Using Popular Music to Teach Sociology
Music and Cultural Analysis in the Classroom
To See Ourselves as Others See Us
Using the Feature Film to Facilitate Sociological Thinking
Observing Reel Life
Teaching Sociology through Existing Television Programs
What's Funny about Statistics? A Technique for Reducing Student Anxiety
Ethnic Jokes
Overcoming “Doom and Gloom”
Humor, Power, and Change in Organizations
Teaching Medical Sociology through Film
No Joke
Social Things
Invitation to Sociology
The Daily Show
The Daily Show Effect
The Standup Comedian as Anthropologist
The American Family on Television
Standup Comedy as Social and Cultural Mediation
Ethnic Humor
Humor, laughter, and sociological theory
Social Things
Laughter in the Clinic
The Rhetoric of Violence in Rap and Country Music
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,73 |
| Citation span | 2011 - 2026 (16) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 11 |