The live album or many ways of representing performance
Bibliographic Data
| ID | 5797972 |
|---|---|
| Authors | Sergio Mazzanti (University of Macerata, Macerata, Italy, corresponding author) |
| Year | 2014 |
| Issue | 17 |
| Pages | 69-86 |
| Publication date | 2014-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Muzikologija (JOURNAL) |
| Journal identifiers | ISSN: 1450-9814 • E-ISSN: 2406-0976 |
| Publisher | National Library of Serbia (PUBLISHER • RS) |
| DOI | 10.2298/muz1417069m |
| OpenAlex | W2061835483 |
| Language | EN |
| Citations received | 2 |
| References cited | 14 |
The analysis of live albums can clarify the dialectic between studio recordings and live performances. After discussing key concepts such as authenticity, space, time and place, and documentation, the author gives a preliminary definition of live albums, combining available descriptions and comparing them with different typologies and functions of these recordings. The article aims to give a new definition of the concept of live albums, gathering their primary elements: ?A live album is an officially released extended recording of popular music representing one or more actually occurred public performances
Dialectic · Cinema and Media Studies · Digital Games and Media · Music History and Culture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2020 - 2023 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |