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Equivocal Politics of Carnival

The Forms and Discourses of Carnivalesque Theater in Contemporary Uruguay

Bibliographic Data

ID5799202
AuthorsGustavo Remedi (0000-0002-1528-7513, Universidad de la República de Uruguay, corresponding author)
Year2020
Volume2
Issue1
Pages236-264
Publication date2020-11-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Festive Studies (JOURNAL)
Journal identifiersISSN: 2641-9939 • E-ISSN: 2641-9939
PublisherH-Net: Humanities & Social Sciences Online (PUBLISHER)
DOI10.33823/jfs.2020.2.1.28
OpenAlexW3110221793
LanguageEN
Citations received1
References cited2

This article reflects on the political, social, and cultural institutionality of carnival in Uruguay and on its growing centrality as a means of expression and space of popular enunciation since the return to democracy in the 1980s. It also argues that the "field" of carnival is a site of constant negotiation with both the state and nongovernmental sources of power (economic groups, the media, churches, etc.) and can thus accommodate various political proposals, leading to constant symbolic-discursive reconfiguration. A detailed analysis of three carnivalesque performances belonging to the murga genre-La caldera de los diablos by Diablos Verdes (2003), Los Sueños by Agarrate Catalina (2005), and Creer o reventar by Don Timoteo (2014)-highlights how carnival has responded to, and has been reconfigured by, three recent circumstances: the apogee of neoliberalism and "the crisis of 2002," the election of a "broad front" leftist government in 2005, and the end of this government's second term in 2014

Carnivalesque · Left-wing politics · Neoliberalism (international relations · Latin American and Latino Studies · Latin American Literature Studies

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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