Entre a rotina e a quimera

The thesis analyzes the dilemmas of the first modernist generation of Minas Gerais, in the Belo Horizonte of the 1920s.In order to recover the "own feature" of the modernism in Minas Gerais, I attempted to reconstruct the exemplary trajectory of Carlos Drummond de Andrade in Belo Horizonte of the 1920s, an intellectual that can be seen as the synthesis of a generation pressed between the challenge of giving shape to its expressive drives and the services of a political-ideological nature that its protectors complained about.Choosing Carlos Drummond de Andrade as a synthesis of this generation of Minas intellectuals, the text reconstructs his experiences of family, school and professional socialization, portraying the mental and behavioral dispositions constituted throughout this progressive uprooting.The course of socialization ends in Belo Horizonte in the 1920s, when Drummond became part of the circle of intellectuals on Rua da Bahia, focusing on the leadership he won in this group of heirs from declining oligarchic branches.Literature and bureaucracy ended up being the axis of the life of young intellectuals of Minas Gerais

Art · Art history · Bureaucracy · Humanities · Ideology · Modernism · Political science · Politics · Social science · Socialization · Sociology · Gender Studies · Gender, Sexuality, and Education · Law · Literature, Culture, and Criticism · Urban Development and Societal Issues

• Celso Furtado

  Open Access•Elisa Klüger•Estudos Avançados•2020

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