Adorno, crítico dialético da cultura

This dissertation aims to comprehend the nature of Theodor W. Adorno's critique of culture and how it distinguishes itself from different models arising from cultural critique and from sociology of culture.For this purpose, the dissertation presents a series of Adorno's analyses of culture, which begins in the 1930s, especially in his debate with Walter Benjamin concerning art and politics.It sought to understand how this debate suffered an inflection due to Adorno's exile in the United States, where the concept of "culture industry" would be conceived and out of which his critique of radio, cinema and television and of the mode of social integration in late capitalism were delineated.Through the presentation of other moments of Adorno's work, such as literary critique, aesthetics and philosophy, it sought to demonstrate the complementarity of different moments which, together, allow us to glimpse a dialectical critique which's consequence is the sublation of the very concept of culture

Aesthetics · Art · Art history · Capitalism · Complementarity (molecular biology · Critical theory · Culture industry · Culture theory · Dialectic · Epistemology · Late capitalism · Movie theater · Political science · Politics · Social science · Sociology · Sociology of culture · Anthropology · Brazilian cultural history and politics · Cultural, Media, and Literary Studies · Literature, Culture, and Criticism · Philosophy

• The Frankfurt School

  Rolf Wiggershaus•The Frankfurt School•1994

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• The Total Art of Stalinism

  Boris Groys, Charles Rougle•The Total Art of Stalinism•1992

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• Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit

  Open Access•Walter Benjamin•Anthologie Kulturpolitik•2019

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• The authoritarian personality

  Theodor W Adorno•The authoritarian personality•1969

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• An Episode in the History of Social Research

  Paul F Lazarsfeld•Intellectual Migration•1969

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• New Dialectics and Political Economy

  Open Access•Robert Albritton, John Simoulidis•New Dialectics and Political…•2003

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• The Dialectical Imagination

  Martin Jay•Dialectical Imagination•2019

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• Intellectual and Manual Labour

  Open Access•Alfred Sohn-Rethel•Intellectual and Manual Labour•1978

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• Aesthetics and Anaesthetics

  Susan Buck-Mor, Susan Buck‐mor et al.•October•1992

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• Adorno e Beckett

  Open Access•Luciano Gatti•Kriterion Revista de Filosofia•2014

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• Introduction to Adorno, "Transparencies on Film" (1966)

  Miriam Hansen, Miriam B Hansen•New German Critique•1981

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• Reification and Utopia in Mass Culture

  Fredric Jameson•Social Text•1979

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• Passagem ao materialismo

  Open Access•Ricardo Musse•Lua Nova Revista de Cultura e…•2003

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