A interface digital nas digigrafias de Maria Bonomi
Bibliographic Data
| ID | 5802159 |
|---|---|
| Authors | Leonardo Pujatti (Microsoft (Brazil), corresponding author) |
| Year | 2018 |
| Publication date | 2018-05-16 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.93.2018.tde-16052018-110725 |
| OpenAlex | W2804097791 |
| Language | EN |
| References cited | 1 |
This work deals with the relationship between art and technology and the possibilities of representation used in the digigraphies of the plastic artist Maria Bonomi, born in Italy, but based in São Paulo since childhood, and who acts as a recording company, a painter, a teacher, a muralist, scenographer, etc., recognized by his engravings and large works in public spaces, which presents new aesthetic interfaces with the use of digital and electronic technologies, enhancing imagination and symbolic mediations.This thesis was based on the bibliographical research and the collection of testimonies of the artist to support the discussions about the new paths of art through the use of digital media, trying to understand to what extent the computer contributes to the amplification of the potential of traditional techniques of artistic creation enabling articulations and mediations between technology and art
Art · Art history · Digital art · Digital media · Interface (matter · Painting · Performance art · Political science · Politics · Representation · Visual arts · World Wide Web · Art, Politics, and Modernism · Art, Technology, and Culture · Computer Science · Cultural Industries and Urban Development
| Highly cited | No |
|---|