O teatro de reprise
Conceituação E Sistematização De Uma Prática Brasileira De Sociopsicodrama
Bibliographic Data
| ID | 5804242 |
|---|---|
| Authors | Rosane Rodrigues (0000-0002-2562-8107, corresponding author), Rosane Avani Rodrigues |
| Year | 2013 |
| Publication date | 2013-06-07 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.27.2013.tde-22082013-094012 |
| OpenAlex | W2141677764 |
| Language | EN |
| References cited | 2 |
The author defines and systematizes the Brazilian methodology of socio-psychodrama:Reprise Theatre, created in 1993 by the Reprise Group, of which she was a member.She distinguishes the practice from its motivational method, the American Playback Theatre (1975), created by Jonathan Fox, mainly due to the emphasis on groupality, presenting it as facilitator/mediator of interaction and learning for adult audiences.In order to do so, she defines its foundations based on the sociopsychodramatic approach of Jacob L. Moreno (1889Moreno ( -1974)), in which there is a "Morenian man" alluded to, who has a high degree of spontaneity, who always creates and who is oriented towards the search for a utopia of mental and social health, who gets away from the social disease of crystallization and from the cultural preserves.This paper describes the Brazilian practical and theoretical innovations on sociopsychodrama, especially regarding the notions of co-conscious and co-unconscious states and of telic field.It shows the particularities of the modality Reprise Theatre as an intersection between the individual and the collective, by the aesthetic resonance of its ego-actors and ego-musicians.From this grounding, the author builds up the concepts and the various stages of the Reprise Theatre and exemplifies the impact of the group transformation/learning, resulting from the use of the method in organizations, public policies, institutions, etc.In addition, a demonstrative intervention with the use of the Reprise Theatre and with a large group in the space of a cultural center in São Paulo is reported and processed by reading the phenomenon, in bias of the group sociodynamics
Aesthetics · Art · Delicacy · Humanities · Psychoanalysis · Reprise · Sociology · Child Therapy and Development · Psychodrama and Leishmaniasis Studies · Psychology · Theatre and Performance Studies
| Highly cited | No |
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