Quadros e coleções de um artista em trânsito
Henricão e as faces do Brasil moderno nas décadas de 1930, 1940 e 1950
Bibliographic Data
| ID | 5807280 |
|---|---|
| Authors | Bruno Ribeiro Da Silva Pereira (0000-0002-7883-3753, corresponding author) |
| Year | 2024 |
| Publication date | 2024-09-12 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/t.8.2024.tde-17012025-113310 |
| OpenAlex | W4406493647 |
| Language | PT |
| References cited | 3 |
The work follows, describes and analyzes thirty years of the career of the artist Henrique Felippe da Costa (1908Costa ( -1984)), known as Henricão.Organized according to the artist's the artist (musical theater, samba and cinema), the thesis presents pictures of an experience that took place in transits between São Paulo and Rio de Janeiro, unveiling faces of a modernizing Brazil between the 1930s and 1950s.This individual trajectory characterized by displacements, reinventions and mixtures presents a series of intersections between race relations, artistic languages and cities. and cities, intersections constructed and faced by a black man from São Paulo.Following in Henricão's footsteps between different areas and spaces made it possible to give prominence to behind the scenes of histories and studies, but which proves to be fundamental, among other
Humanities · Art, Politics, and Modernism · History of Education Research in Brazil · Philosophy · Sociology and Education in Brazil
| Citation velocity | historical |
|---|---|
| Highly cited | No |