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Carnivalising Postcolonial Zimbabwe

The Vulgar and Grotesque Logic of Postcolonial Protest in NoViolet Bulawayo'sWe Need New Names(2013)

Bibliographic Data

ID5810596
AuthorsHazel Tafadzwa Ngoshi (0000-0002-4016-745X, Midlands State University, corresponding author)
Year2016
Volume32
Issue1
Pages53-69
Publication date2016-01-02
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Literary Studies (JOURNAL)
Journal identifiersISSN: 0256-4718 • E-ISSN: 1753-5387
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/02564718.2016.1158984
OpenAlexW2509893849
LanguageEN
Citations received6
References cited12

This article set out to explore NoViolet Bulawayo's We need new names from the perspective of carnivalised writing. The objectives of the article were to unpack how the vulgar and the grotesque were used to create carnival moments in the narrative and to examine how marginal subjects gain voice and some degree of power to live an alternative life, even if this is momentary. It sought to examine how Bulawayo derives her aesthetics from the vulgar and the grotesque to create a carnivalesque logic that informs postcolonial protest in the novel. The analysis made use of the theoretical concepts of carnival propounded by Mikhail Bakhtin. This article argues that the text is constituted by a regime of the vulgar, which the child characters deploy for transgressing hegemonic practices and authoritative discourses. Social norms are suspended and the children have a subversive agency, courtesy of parody and satire. The article reveals that apart from speaking back to power, the children harness the image of kaka (human excrement) as a discursive resource to satirise the failures of the Zimbabwean postcolony and to degrade all forms of authority. It is concluded that while the scatological in the novel suggests social indictment, the images of kaka and dirt fail to transcend protest to see the realisation of a desired postcolonial condition

Carnivalesque · Performative utterance · Renunciation · Postcolonial and Cultural Literary Studies · Russian Literature and Bakhtin Studies · Themes in Literature Analysis

  • Ways of Reading Blackness

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  • South Africa and Zimbabwe

    Open Access•Crystal Warren•The Journal of Commonwealth…•2017

  • Representations of Ageing in Contemporary Zimbabwe

    Open Access•Chipo Hungwe, Elda Hungwe et al.•Journal of Population Ageing•2023

  • When Old Names Refuse to Go

    Rangarirayi Mapanzure•Scrutiny2•2019

  • Humanitarismo cliché

    Open Access•Tatiana Calderón Le Joliff, Christian Pardo-Gamboa•Co-herencia•2022

  • Personal Names, Naming and Identity (Re)negotiation among Zimbabweans in the Diaspora

    Open Access•T Mangena•Journal of Asian and African…•2024

  • The politics and poetics of transgression

    Allon White, Peter Stallybrass•The politics and poetics of…•1986

  • Problems of Dostoevsky's Poetics

    Mikhail Bakhtin, M M Bakhtin et al.•Problems of Dostoevsky's Poetics•1984

  • Rabelais and his world

    Mikhail Bakhtin, H Iswolsky•Applied Theatre Reader•2020

  • Bakhtin's Carnival Reversed

    Open Access•Linda J Holland‐Toll•The Journal of Popular Culture•1999

  • Regimes of Waste

    Ryan Ryan•Research in African Literatures•2013

  • On the Postcolony

    Achille Mbembe•On the Postcolony•2019

  • Bakhtin's Carnival Laughter and the Cajun Country Mardi Gras

    Carl Lindahl•Folklore•1996

  • Crap on the map, or postcolonial waste

    Warwick Anderson•Postcolonial Studies•2010

  • The Banality of Power and the Aesthetics of Vulgarity in the Postcolony

    Achille Mbembe•Public Culture•1992

Unique citing works6
Citations per year0,67
Citation span2017 - 2024 (8)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 6

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