Crítica e modernidade em Raymond Williams
Bibliographic Data
| ID | 5812000 |
|---|---|
| Authors | Ugo Urbano Casares Rivetti (0000-0003-3368-7219, corresponding author) |
| Year | 2016 |
| Publication date | 2016-01-27 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.8.2016.tde-27012016-123033 |
| OpenAlex | W2486306989 |
| Language | PT |
| References cited | 10 |
This dissertation aims to analyze Raymond Williams' work from the point of view of the critique of modernity undertaken by him in a specific period of his trajectory: from Culture and Society (1958) to The Country and the City (1973).Therefore, we begin by reconstructing the forms assumed by this critique in the interpretative schemes of the two greatest formative influences in Williams' thought, and which became the two greatest theoretical currents in the English intellectual scenario in the 20 th century: literary criticism and Marxism.Hence, we plan to offer an alternative interpretation of his oeuvre, reconsidering the importance of each of his main texts, the continuities and ruptures crossing it and, finally, the sense of the theoretical development covered by Williams in the period here considered, notably, focusing the impact that Marxism produced in the shaping of his theoretical project
Aesthetics · Art · Criticism · Epistemology · Formative assessment · Linguistics · Literature · Modernism · Modernity · Sociology · Literature, Culture, and Criticism · Philosophy · Political theory and Gramsci · Russian Literature and Bakhtin Studies
| Highly cited | No |
|---|