Uma Bahia em construção
Pierre Verger e Odorico Tavres na revista O Cruzeiro, 1946-1951
Bibliographic Data
| ID | 5813577 |
|---|---|
| Authors | Bruno Pinheiro (0000-0002-4128-0892, corresponding author) |
| Year | 2017 |
| Publication date | 2017-05-08 |
| Open Access | Yes |
| Type | THESIS |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.93.2017.tde-08052017-093732 |
| OpenAlex | W2735806835 |
| Language | PT |
| References cited | 1 |
This thesis aims to investigate the formation and diffusion of a visual repertory associated with Bahia s image during the 1940s and which is still repeated in the visual representations associated with that state.It will be analyzed here the Photo Reports made by Verger and Odorico Tavares and published between 1946 and 1951 in the magazine O Cruzeiro.Tavares efforts to implement the values of modernism in the visual arts in Bahia can be considered complementary to the vast Verger experience in mass media of the major European centers, which had already fully incorporated the sense of modernity.Through the Photo Reports produced by the duo, it can be identified different visual and textual strategies used to link the idea of tradition to Bahia s black popular cultures.At the end, this research shows that the visual repertoire in question is linked to, in many ways, to the racial thesis disseminated at the time, the folklore literature and the visual affiliations associated with the practices of international modernism, serving to the interests of the elites and the local intelligentsia
Aesthetics · Art · Art history · Epistemology · Folklore · Humanities · Intelligentsia · Literature · Modernism · Modernity · Political science · Visual arts · Visual culture · Cultural, Media, and Literary Studies · Law · Philosophy · Urban and sociocultural dynamics
| Highly cited | No |
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